Monday, 5 February 2007

Beeswing, Richard Thompson


BEES WING by Richard Thompson

I was nineteen when I came to town
They called it the Summer of Love
They were burning babies, burning flags
The Hawks against the Doves

I took a job in the Steamie
Down on Cauldrum Street
I fell in love with a laundry girl
Was working next to me

CHORUS:

She was a rare thing
Fine as a bees wing
So fine a breath of wind might blow her away
She was a lost child
She was running wild, she said
As long as there's no price on love, I'll stay
And you wouldn't want me any other way

Brown hair zig-zag round her face
And a look of half-surprise
Like a fox caught in the headlights
There was an animal in her eyes

She said, young man, O can't you see
I'm not the factory kind
If you don't take me out of here
I'll surely lose my mind

(CHORUS)

We busked around the market towns
And picked fruit down in Kent
And we could tinker lamps and pots
And knives wherever we went

And I said that we might settle down
Get a few acres dug
Fire burning in the hearth
And babies on the rug

She said O man, you foolish man
It surely sounds like hell
You might be lord of half the world
You'll not own me as well

(CHORUS)

We was camping down the Gower one time
The work was pretty good
She thought we shouldn't wait for frost
And I thought maybe we should

We were drinking more in those days
And tempers reached a pitch
Like a fool I let her run
With the rambling itch

Last I hear she's sleeping out
Back on Derby beat
White Horse in her hip pocket
And a wolfhound at her feet

And they say she even married once
A man named Romany Brown
But even a Gypsy caravan
Was too much settling down

And they say her flower is faded now
Hard weather and hard booze
But maybe that's just the price you pay
For the chains you refuse

She was a rare thing
Fine as a bees wing
And I miss her more than ever words could say
If I could just taste
All of her wildness now
If I could hold her in my arms today
Then I wouldn't want her any other way

RedDirtGirl posted the Lyrics, Steve requested the sounds.

Sunday, 4 February 2007

Kargyraa Moan, Paul 'Earthquake' Pena, Kongar Ool Ondar

Blind all his life, the late Paul Pena was playing music by the age of five. He moved, as an adult to San Francisco and immersed himself in the blues, playing with T Bone Walker, Jerry Garcia,
writing, performing... Most people have heard the Steve Miller Band song 'Jet Airliner', Paul wrote it.
Listening one night to the static crackle distorting Moscow Radio, from the Soviet Union, he first heard the strange sound of throat-singers from the Soviet Republic of Tuva. He was hooked, had to know more...



He taught himself throatsinging... Went, after the collapse of the soviets, to Tuva, to hear the national singing competitions. As a musician, he was invited in, met some of the great singers, And sang! They were stunned that a westerner could sing Kargyraa, he went on stage, a blind, nervous american, and left to thunderous applause. His voice, his passion had earned him the nickname 'Earthquake' in Tuva. Paul lost his battle against diabetes and pancreatitis, on October 1st, 2005.
There's a film of his journey to Tuva, and a cd, both are called Genghis Blues.

Jessica

Allman Brothers Band

Saturday, 3 February 2007

Disorderly Sleep

Another film by Mitchell Rose

Love Will Tear Us Apart Again by Yat Kha


A Joy Division number, as covered by Outer Mongolia's Tuvan punk-rock throat singing star, Albert Kuvezin, and his band, Yat-Kha. From the album Re-Covers.

Listen to the other albums... If you ever get accused of having only mundane music tastes, Yat-Kha is the antidote!




Text below is from Yat-Kha's website

Moscow, August 2004.

Albert Kuvezin has just checked into a hotel having spent 24 hours on a train from Budapest as the result of having been forcibly deported from Hungary along with the rest of his band. Their passports had been stolen from the dressing room of the gig the previous day. Their plea for help from the Russian Embassy resulted in them being frog-marched to the railway station and sent home. Before he can relax he receives a phone call from his co-singer Radik Tiuliush telling him that he has had enough of the rigours of travelling backwards and forwards from Tuva (a 3-day journey just to get to Moscow before an international flight takes them to start a tour). There are only 2 days to find new passports and a new singer before they are due to begin a US tour. This proves impossible and Albert retreats to Kazyl where he is immediately hassled by mobsters and corrupt government officials. He then crashes his car and ends up in hospital.
Whilst convalescing Albert ponders his band’s future and listens to his record collection. Having spent many years being persecuted under the Soviets for listening to and playing rock’n roll he contemplates the long journey that his love of both Tuvan Folk Music and Western Rock has resulted in. He had toured the world many times playing at some of the great festivals such as Glastonbury, Roskilde, Bloomington, Monterey, Transmusicale, and Sziget. He had played hundreds of club shows and listened to and met some great bands along the way. Bands like his thrash heroes Slayer and folk heroes such as the Chieftains and contemporary artists such as Billy Bragg and many more.
And now Yat-Kha was due to travel to London in October 2004 to record a new album that Albert had been busy writing earlier in the year. As he lay there with music from all around the world blaring out from his newly- acquired PA system Albert decided that he would commit his musical and spiritual journey to tape instead of his new songs. His new album would reflect how music took him from one of the world’s more remote regions to international recognition. Remote, yes, yet central enough to pick up the currents of international music, even if the international music scene was not yet hip to the growling waves coming from Tuva. He would revitalise himself by re- engaging with his loves of country, blues, rock and just all things music. Although he was due to self-produce his new album Albert made a last minute phone call to the legendary world music producer Ben Mandelson who immediately made time to take over production duties. Justin Adams, producer of Tinariwen, joins him on a couple of tracks.
The band began by jamming many of Albert’s favourite tunes and from this came the new album Re-Covers.

This is what Albert has to say about the album.

 "The influence of rock on my music and life is obvious

but anyway I’ll try to explain a bit more why I have chosen these

songs for the covers album. Actually they are relatively to what

I try to do for long time since I began to mix Tuvan music and

my singing with Western rock." 
  1. When The Levee Breaks (Led Zeppelin).
     "It is just on of my favourite band of the all time and
    
    I wanted to record more of them though who can compare with
    
    them even today?".
  2. Man Machine (Kraftwerk).
     "Remember that time? They were very fresh and unusual
    
    between the dominance of rock and punk. Plus very progressive.
    
    It is about our relationship with machine world.
    
    Almost Folkloric."
    
  3. Ramblin’ Man (Hank Williams).
     "I don¹t like when there is too much text in songs
    
    but this one is just about my self and my brothers - musicians.
    
    It is very close to our souls and spirit of freedom.
    
    Actually we are all the travellers on this planet."
    
  4. In-A-Gadda-Da-Vida (Iron Butterfly).
     "Great song because it is simple ­ I respect talented simplicity.
    
    Good voice and a guitar riff which always make me interested as a
    
    guitarist my self."
  5. Love Will Tear Us Apart (Joy Division).
     "This band wasn¹t well known in Russia but some band made big
    
    name and good career during USSR time copying and imitating the likes of JD.
    
    I like the mood and guess our manager Jim likes them very much."
  6. Her Eyes Are A Blue Million Miles (Captain Beefheart).
     "Of course, 20 years ago I didn¹t know about this man but when
    
    got listen it for the first time I thought that it could be me if I
    
    was born in USA at that time. But luckily I live in Siberia and like to
    
    say: "Hello!" back to those funny days."
  7. A Song About A Giraffe (Vladimir Vysotskiy).
     "The cult figure of Soviet Culture. The actor, poet, and singer he died
    
    in 1989 but is still very popular in Russia. His songs are full of sarcasm
    
    and humour. They are about the defects of human society and full of love
    
    and pain when about native land. This song is just one of hundreds he wrote."
  8. Orgasmatron (Motorhead).
     "I always liked music full of energy.
    
    Years ago I liked such kind of lyrics and wrote such my self.
    
    Also this is good possibility to remind to politicians who they are."
  9. WillYou Go, Lassie, Go? ( Mc Peake Family )
     "When I played with the great Chieftains I began to like Irish
    
    music and found some similarity with some Siberian people¹s music."
    
  10. Toccata (Paul Mauriat).
     "When I was little boy this melody by the French composer and
    
    conductor was played by his orchestra on Soviet T.V. and radio every
    
    Sunday and that gave us a very clear and nice holiday emotion for the whole day.
    
    This is a kind of connection to that happy time."
    
  11. Black Magic Woman (Carlos Santana version).
     "One more my favourite artist. This song is somehow connected to
    
    Siberian black shaman women whom I like very much."
    
  12. Exodus (Bob Marley).
     "Again, I love freedom and independence which are also possible
    
    through the movement and travels.
    
    I love to read about historical peoples movements.
    
    Plus I like Bob and reggae."
    
  13. PlayWith Fire (Rolling Stones).
    "I never liked very much RS and even less The Beatles.
    
    In this song I got good motion that gave me feeling to play
    
    such riff in the style what I like."
    
  14. The Song of Mergen (Alexei Tchyrgal-ool).
    "The composer Alexei Baktaevitch Tchyrgal is a great of Tuvan
    
    Symphonic music but he also wrote a number of nice songs for different
    
    ensembles and bands I am lucky enough to have been working with him and
    
    living in his neighbourhood. This song was written for the first movie
    
    about Tuva ­ "People of Blue Rivers"."
Albert Kuvezin ­ Kyzyl , Tuva Feb 2005

Half Beastly!

333 visitors on the counter... thats all.

Friday, 2 February 2007

Battle of Evermore

This one's for you, Steve

Led Zeppelin IV 1971

"Battle of Evermore"

Queen of Light took her bow
And then she turned to go,
The Prince of Peace embraced the gloom
And walked the night alone.

Oh, dance in the dark of night,
Sing to the morn-ing light.
The dark Lord rides in force tonight
And time will tell us all.

Oh, throw down your plow and hoe,
Rest not to lock your homes.
Side by side we wait the might
Of the darkest of them all.

I hear the horses' thunder
Down in the valley below,
I'm waiting for the angels of Avalon,
Waiting for the eastern glow.

The apples of the valley hold
The seeds of happiness,
The ground is rich from tender care,
Repay, do not forget, no, no.
Oh, dance in the dark of night,
Sing to the morning light.

The apples turn to brown and black,
The tyrant's face is red.

Oh the war is common cry,
Pick up your swords and fly.
The sky is filled with good and bad
That mortals never know.

Oh, well, the night is long
The beads of time pass slow,
Tired eyes on the sunrise,
Waiting for the eastern glow.

The pain of war cannot exceed
The woe of aftermath,
The drums will shake the castle wall,
The ringwraiths ride in black,
Ride on.

Sing as you raise your bow,
Shoot straighter than before.
No comfort has the fire at night
That lights the face so cold.

Oh dance in the dark of night,
Sing to the mornin' light.
The magic runes are writ in gold
To bring the balance back.
Bring it back.

At last the sun is shining,
The clouds of blue roll by,
With flames from the dragon of darkness
The sunlight blinds his eyes.

Desiree

Desiree, from 'Only a Movie' Family, 1973.