I am the grit in the gears, the missing bolt, I am the poker of sticks into spokes. I like to know how things work, but sometimes when I take them apart and rebuild them, I have a few pieces left over. I am a man, so I tend to leave reading the instructions until after it goes wrong. And like all men I have a comprehensive mental map of the world and never need to ask directions. I never get lost, only sometimes I'm late, or end up in the wrong place entirely. It's what we do.
Saturday, 17 March 2007
Friday, 16 March 2007
Sloth -Fairport Convention
Fairport Convention - Sloth
Chorus)
Just a roll, just a roll
Just a roll on your drum
Just a roll, just a roll
And the war has begun
Now the right thing's the wrong thing
No more excuses to come
Just one step at a time
And the war has begun
(Chorus)
She's run away, she's run away
And she ran so bitterly
Now call to your colours, friend
Don't you call to me
(Chorus)
Don't you cry, don't you cry
Don't you cry upon the sea
Don't you cry, don't you cry
For your lady and me
(Chorus)
(ChorusFrom the 1970 album, Full House.
I'll be at Fairport's Cropredy Festival in Oxfordshire, in August....
Poetry......
Behaviour of Fish in an Egyptian Tea-Garden
by Keith Douglas
As a white stone draws down the fish
she on the seafloor of the afternoon
draws down men's glances and their cruel wish
for love. Her red lip on the spoon
slips in a morsel of ice-cream. Her hands
white as a shell, are submarine
fronds sinking with spread fingers, lean
along the table, carmined at the ends.
A cotton magnate, an important fish
with great eyepouches and a golden mouth
through the frail reefs of furniture swims out
and idling, suspended, stays to watch.
A crustacean old man, clamped to his chair
sits near her and might coldly see
her charms through fissures where the eyes should be;
or else his teeth are parted in a stare.
Captain on leave, a lean dark mackerel
lies in the offing, turns himself and looks
through currents of sound.
The flat-eyed flatfish
sucks on a straw, staring from its repose, laxly.
And gallants in shoals swim up and lag
circling and passing near the white attraction;
sometimes pausing, opening a conversation:
fish pause so to nibble or tug.
But now the ice-cream is finished, is
paid for. The fish swim off on business
and she sits alone at the table, a white stone
useless except to a collector, a rich man.
by Keith Douglas
As a white stone draws down the fish
she on the seafloor of the afternoon
draws down men's glances and their cruel wish
for love. Her red lip on the spoon
slips in a morsel of ice-cream. Her hands
white as a shell, are submarine
fronds sinking with spread fingers, lean
along the table, carmined at the ends.
A cotton magnate, an important fish
with great eyepouches and a golden mouth
through the frail reefs of furniture swims out
and idling, suspended, stays to watch.
A crustacean old man, clamped to his chair
sits near her and might coldly see
her charms through fissures where the eyes should be;
or else his teeth are parted in a stare.
Captain on leave, a lean dark mackerel
lies in the offing, turns himself and looks
through currents of sound.
The flat-eyed flatfish
sucks on a straw, staring from its repose, laxly.
And gallants in shoals swim up and lag
circling and passing near the white attraction;
sometimes pausing, opening a conversation:
fish pause so to nibble or tug.
But now the ice-cream is finished, is
paid for. The fish swim off on business
and she sits alone at the table, a white stone
useless except to a collector, a rich man.
Monday, 12 March 2007
Thursday, 8 March 2007
Tuesday, 6 March 2007
"Here, Mate! are you shearing that sheep?" "Nah!, Get Yer own!"
Oh, By the way Blogger, This is via Googlevideo, your sibling.... Whence also came the embed code...
Monday, 5 March 2007
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